Drawn over a period of two days, twenty or so hours, and based on a week's worth of studies, Alan Greenspan still loves me is the end of something and the beginning of something. This is where its success lies. Its success also lies in the meditative quality of its execution and the pleasure I derived from this. It is drawing as learning and unlearning; thinking and not thinking; stepping towards and away from; looking and seeing. It is, as yet, and perhaps will remain, unfinished.
Tuesday, 3 February 2009
Belated thoughts on a drawing
Drawn over a period of two days, twenty or so hours, and based on a week's worth of studies, Alan Greenspan still loves me is the end of something and the beginning of something. This is where its success lies. Its success also lies in the meditative quality of its execution and the pleasure I derived from this. It is drawing as learning and unlearning; thinking and not thinking; stepping towards and away from; looking and seeing. It is, as yet, and perhaps will remain, unfinished.
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