This drawing is a close up of a piece of work produced
during a day out at the Burrell Collection at the end of last term. The brief required us to spend some time drawing
a small section of an object onto an A6 piece of paper. We were then asked to stick this onto a
larger sheet and work out from there, filling in the surrounding detail. As I wandered around the building, I found
this ‘Jack’ clock tucked away in a corner.
My eye was instantly drawn to the intricate inner mechanical workings,
so I sat down and got started, quite pleased with my discovery. However, I very
quickly came to regret my choice as I spent most of the rest of the day
wrestling with my drawing. I wanted to
depict the cogs and wheels as accurately as I could, but was getting increasing
frustrated with my efforts. I think that
I felt restricted by the small size of paper I was trying to work on.
Towards the end of the day we gathered together for a quick
review of how things were going so far.
I was all ready to give up at this point, and was feeling pretty
discouraged. One of the girls on my
course suggested that I treat the remainder of the drawing as a blind drawing,
as she remembered that I had really enjoyed this method during Life Drawing
class. I’m not really sure why I had not
considered doing this myself before then, but it seemed like such an obvious solution
as soon as she said it.
I was amazed at the difference in my drawing, as well as my
mood once I got back to work. Drawing
blindly really helped to free me up. It
allowed me to let go of control. I was
no longer afraid to ruin the smaller drawing I had spend all day doing. The juxtaposition of the more controlled,
precise drawing with the looser, flowing lines really appeals to me. So I guess for me this drawing is a valuable
lesson in persistence, the value of others’ advice, and the surprising results
you can get if you are willing to relinquish control.
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